LEAP 31

Each generation of artists has to be sensitive to the needs of changing social and cultural structures in order to selec....

"Invisible Light," Installation view, Edouard Malingue Gallery, Hong Kong, 2015.
Courtesy Edouard Malingue Gallery

COVER FEATURE

IN SEARCH OF PURE LIGHT

WEB EXCLUSIVE Edouard Malingue has made the long trek across Queen’s Road Central, down Pedder Road,....

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POLITICS OF KNOWLEDGE AND PRACTICE
POSTS
January 21, 2015

TODAY, IT IS challenging to keep artistic practice and politics apart. With the shift from structuralism to biopolitics,....

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WHAT WE TALK ABOUT WHEN WE TALK ABOUT HUMOR
FEATURES
November 14, 2014

We are finally freed from the weight of history to pursue a more relaxed, freer, pluralistic life of pleasure.

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IN SEARCH OF PURE LIGHT
REVIEWS
March 4, 2015

WEB EXCLUSIVE Edouard Malingue has made the long trek across Queen’s Road Central, down Pedder Road, and up Des Voeux Ro....

"Invisible Light," Installation view, Edouard Malingue Gallery, Hong Kong, 2015.
Courtesy Edouard Malingue Gallery
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LEAP executive publisher Cao Dan sits down with Art Stage Singapore Dire....

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Modern Media X Culture Chanel special forum On January 18, LEAP magazine....

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On May 11, 2013, LEAP, UCCA, and the China Independent Film Association ....

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While there is increasing global and regional attention being paid to co....

"CONDITION↔REACTION: YOUNG ARTISTS IN CHINA AND THEIR WORK05-October 12, 2013"

“Condition↔Reaction: Young Artists in China and Their Work” is a video-based pro....

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POSTS

GUCCIVUITTON

TO GET TO Guccivuitton, an artist-run commercial gallery whose programming blends contemporary art and south Florida vernacular, you head north-northeast about 16 kilometers from the Miami of the imagination to Little Haiti. Here are church....

Tsang Kin-Wah, Let Us Build and Launch a Blue Rocket to His Heaven, 2009
Installation: digital file master copy and silkscreen on vinyl on walls, ceiling, and floor, dimensions variable

POSTS

THE NO COLORS: WILLIAM LIM LIVING COLLECTION

WEB EXCLUSIVE HONG KONG-BASED architect and collector William Lim intends for his recent book, The No Colors, to function as “a book about Hong Kong contemporary art using my own collection as the backdrop.” From this ambitious statement, o....

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POSTS

A PAST THAT IS NOT TRULY PAST

WHEN I ARRIVED in Hong Kong in 2011 I promptly settled into a flat at the meeting of Rutter Street and Pound Lane in Sheung Wan. Para Site was just down the hill, about 45 seconds by foot. It had been there already for 17 years. Coincidenta....

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POSTS

LIN KE: WHEN NEW MEDIA BECOMES OLD

LIN KE’S STUDIO is his 2008 MacBook Pro, preloaded with the Mac OS X 10.6.8 operating system and standard software including the Safari web browser, Preview image viewer, and QuickTime 7.0 Pro for video, along with the addition of image edi....

POSTS

FONGFO

FONGFO IS A periodical published on the 21st of each month, saddle-stiched in B4 size. Though not unlike the magazine Stories, it is typically only around 12 pages long. Created by a group of artists, Fongfo is not quite an art publication,....

“燥眠夜”从北京五道口的D-22迁址到地安门的小萍,演出场次总数近三百场。

POSTS

Open Matrix: Zoomin' Night at Five Years

Zoomin’ Night’s name betrays its roots in a specific culture of post-2000s Beijing rock music. “Zooming” has nothing to do with it: the English name of the weekly experimental music performance series is a loose transliteration of zaomianye....

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