徐悲鸿画的马、黄永玉画的鸟、
范曾画的牛都成为近现代中国
画的经典符号，而从油画转向
国画创作的刘海粟，则因据传
早年为江青画过裸体写生，留下
了一个供人想象的图景。
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Xu Beihong’s horses,
Huang Yongyu’s birds, and
Fan Zeng’s cattles are all
classic symbols of Chinese
ink painting in the modern
era. Liu Hai-su, who turned
to ink painting from oil, left
much to the imagination, as
he reportedly drew Jiang Qing in the nude in his early years.
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毛里齐奥·卡泰兰 无题 2008年 硅树脂、衣物、木头 140 x 140 x 70 cm ©毛里齐奥·卡泰兰 摄影：泽诺·佐提
