In the new issue “In the Field,” critic Zoe Meng Jiang discusses the director Diao Yinan’s recent film The Wild Goose Lake, seeing it as an act of internal diaspora for Chinese art cinema.

A documentary filmmaker turned artist, Mao Chenyu thrives on the contradictions between the white and black spaces. Strategies of resistance from both the white and black discourses are organized into an aesthetic experience of the “green.”