Some works seem to have suffered from permanent amnesia after their trip leaving the Earth and forgotten what it felt like to be human on Earth, while others seem to have never left.
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What is China’s “ecological civilization,” and what are its ideological origins? Understanding how the ideas and history of Marxism in China interlock with ecological thought, as Long March Project has set out to do, is crucial.
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When images enter the virtual world, all physicality is left behind, their weight eliminated, their size adjustable, and only a virtual shadowing resurrected. One day, when we have nothing left of ourselves but images, will they too have shadows?
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此刻，我们对于上海，香港以及更宽泛的中国现代性的当下与未来都充满疑问。当答案在别处无迹可寻时，我们一如既往地在艺术的空间中寻找启示，在这里，鲜活的生命和希望仍在野蛮生长。
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当蓬皮杜艺术中心的负责人为成都定制“全球都市”的提案时，难免会有这样的问题浮现：为何成都人民需要给蓬皮杜支付学费来发觉自己的文化？究竟什么才是有价值的“全球都市”？
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In Wang Haiyang’s artworks, the erosion and mortality of the human form give rise to other versions of vibrant life and embodiment.
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A documentary filmmaker turned artist, Mao Chenyu thrives on the contradictions between the white and black spaces. Strategies of resistance from both the white and black discourses are organized into an aesthetic experience of the “green.”
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In an era where geopolitics is being renegotiated, Chihying asks if new relationships are really a break with the past, or if there are still uncomfortable continuities and tendencies.
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Objectophilia is an attraction to inanimate objects, so……
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身体是由何构成的，这种构成怎样影响了它对外界的感知？身体的痕迹是否反映了它的组成？艺术家范加（J……
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想象自己是一只鹰： 你正站在驯鹰师主人的手臂上，眼睛被头上的鹰帽遮住了。此时此刻，你正身处一个名……
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深入艺术家付经岩的世界好似窥探一个谜团。虽然迷幻，却也非完全坚不可摧——在一定程度上，这个陌生世……
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海外中国当代艺术策展人时常面临着众多挑战。第三期何鸿毅家族基金会中国艺术计划与先前不同，以“单手……
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作为今年夏天落地上海的Condo项目的展览之一，大田秀则画廊展出了新加坡画家陈国良近期的作品。艺……
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